Captain Z & The Terror of Leviathan

Captain Z & The Terror of Leviathan is a new horror comedy from director Steve Rudzinski. Rudzinski has been doing low-budget, comedic genre films since 2006. This time around he's tackled a story about a resurrected pirate fighting off demonic entities.

The film revolves around a group of employees working for a museum focused on the local pirate lore in their area. Their dull lives get a strong jolt when an occult professor shows up seeking more information about the legendary Captain Z. He has come in pursuit of a medallion that the Captain allegedly had in his possession. Meanwhile, a group of braindead fishermen pull that very medallion up on their reel and madness ensues. Captain Z is resurrected, and so are the demonic forces that tried to take him out 500 years prior. Now, the museum workers must join forces with the ass kicking pirate, or be forced to walk the shit deck!

There's pirates, demons, a token braindead bombshell, and nerdy references aplenty! Captain Z has a fair share of comedy that works, but unfortunately, it only goes well about half of the time. The acting is okay, the creature effects aren't very prevalent, but when they pop up they look solid. I will say I had a good time with it just for it's charm alone. It's clear that everyone involved in the creation of this film had a good time making it. Admittedly, I wasn't exactly excited to pop this in. Off title and cover alone it just didn't appear to be up my alley, but with that being said, I genuinely ended up enjoying this quite a bit more than I expected. Given my prejudice towards pirates, this on its own is an impressive feat. I refuse to drink Captain Morgan strictly due to its pirate connection, in fact I loathe pirates nearly as much as I loathe grapes.

The movie is definitely not without flaws. Although overall it is decent lighthearted fun, there are a number of things that weigh it down. The first thing that sticks out, is a flaw that many films of this nature are guilty of. I'm all for self referential flicks when they are more comedic based, but like many others coming out lately, Captain Z does not know when to end them. Many of the jokes in the movie go about 2 beats longer than they should, and it nearly kills the humor completely. Luckily, it does not happen enough to make the film unwatchable, but it does weaken the overall viewing experience. The twist at the end (if you want to call it that) is extremely predictable as well. This isn't a horrible detriment as I didn't really expect a movie about a resurrected pirate to pack many surprises.

Overall Captain Z is decent enough Lovecraftian inspired comedy. It's fairly in line with a much cheaper The Last Lovecraft. It won't wow you, but it also won't outright offend you. When the comedy works it is truly great, but when it doesn't it falls pretty hard. It's pretty apparent while watching that the cast and crew were all big film nerds that just wanted to make a movie. If you're a Lovecraft enthusiast and low budget film fan, I'd say give this one a look on a rainy day. Outside of that though, I'd have a hard time recommending this to anyone outside of that demographic, and even then films like The Last Lovecraft, Beyond the Dunwich Horror or The Dark Sleep would come to mind first. SOFT RECOMMENDATION FOR LOVECRAFT GEEKS AND HORROR COMEDY LOVERS. PROCEED WITH CAUTION TO EVERYONE ELSE.

The Sins of Dracula

"THEY NEVER HAD A PRAYER"

The Sins of Dracula is a new film directed by Richard Griffin. Griffin has spent over a decade making his mark on the horror scene. His efforts have shown strong promise since the very beginning. Feeding the Masses and Raving Maniacs certainly show signs of a director getting his start, but these flicks also display a distinct style he has been sharpening throughout his career. Griffin already proved that he can do vampires well with his 2006 film Pretty Dead Things, so I was excited to see him back to deliver another flick with some bloodsucking villains.

Billy is a young man who's entire life revolves around his relationship with God. His sheltered lifestyle starts to collapse around him when his girlfriend convinces him to join the local theater for their next play. Billy has a very hard time adjusting to the diverse group working on the play. When he left his secluded bubble of Christianity, he wasn't anticipating encountering drug addicts and homosexuals among other things. Being around all of these sinners gets him thinking about committing a sin of his own. This temptation comes to a head when Billy has a very intimate conversation with God about his urges to beat his meat into amputee status. Meanwhile, there's a much larger problem occurring back at the theater. The head honcho of the theater department has plans to raise Dracula. Billy's concern about what to do with his junk will soon become the least of his problems.

The Sins of Dracula is essentially a cross between a Hammer horror film and a satire of Christian scare films. The movie is pretty heavy handed with the comedic elements but never really goes into full on parody mode. Many of Griffin's films walk this line. Over the years he's really managed to master the craft of finding the perfect balance between the two. The effects throughout are solid. The flick goes from great, to fucking awesome when the finale comes around. Billy ventures back into the theater to kick some vampire ass, and it is by far the highlight. That being said the first third of Sins is a truly excellent satirical setup. The movie also sports an awesome theme, although I must admit it sounds extremely similar to the training cut scenes from the NES classic Punch-Out.

Overall, The Sins of Dracula is a stellar low budget horror flick. All the jokes in the movie hit their mark perfectly and during the finale it packed some genuine surprises. I've come to the point where I expect quite a bit going into a new Griffin film and he's yet to deliver a disappointment in my book. When I've had a bad streak of indie horror flicks, I can always dig back into his filmography and find a reminder of why I fell in love with movies like these in the first place. If you're looking for a fun vampire flick this is it. GET IT!

Malignant

HE JUST WANTS TO HELP!

Malignant is a 2013 mad scientist flick directed by Brian-Avenet Bradley. Bradley has been directing horror films since the early 2000's. Somehow, I've managed to go until now without seeing any of his work, but I have heard high praise for his last feature length effort, Dark Remains. Although it may seem strange to take an 8 year break after your most successful film, Malignant is a very good indicator that if Bradley had it then, he's still got it now.

Gary has been leading a rough lifestyle since the untimely passing of his wife. Getting blackout drunk every night has become the main objective of his after-work routine. One day, he leaves the bar and remembers the good old days, when his significant other was still present. A strange man shows up and jerks him back to reality. The man offers help to Gary, hoping to free him from the grip of alcoholism. He wakes up the next day at his lonely house with a freshly stitched up scar on his chest.

Gary is understandably a bit bothered by this fresh wound, and decides to get it checked out at the hospital. He gets a rude awakening when he is told by the nurse that he had just been checked in the previous night for a "bar fight" he was supposedly involved in. Things aren't making sense, and a nice liquor filled evening is in store. After getting blackout drunk once again, he wakes from his stairway slumber covered in blood. An email from the man who tampered with his insides gives a bit of insight. That fateful night, Gary had a device planted within him. This device allows the mysterious man to take control of Gary's mind whenever he pleases. If he drinks at all, people die. Sometimes it takes a little tough love to put an addiction to rest.

Things pick up at a rapid speed that never really lets up. The only complaint I have about the film, is that the ending didn't quite pack the punch I was anticipating during the build up. Even that doesn't manage to overall damper the viewing experience. The film keeps you guessing throughout, and there's a genuine interest to learn more about the mysterious villain. Along with the thick tension, there is also a fair amount of violence. The film isn't an all out gorefest, but there are definitely a few scenes that are quite gruesome. If eye violence is your kryptonite as it is mine, there are without a doubt a few cringe-worthy moments to be found here.

Malignant's plot is pretty unique, to say the least. The idea of a man tearing apart what is left of someone's life in order to end an addiction is interesting. All the while the mystery man is indulging in an addiction of his own; human experimentation. Brad Dourif's performance as The Man is stellar. His role as the film's villain was, without a doubt, a make-or-break kind of character. Luckily, they put the role in good hands, and Dourif delivered a performance that fit the mood of the movie perfectly.

Overall Malignant is a damn fine indie flick. The movie has a very engaging, well paced plot that keeps things moving along at a fast, yet tension building speed. Between Dourif's performance and the strong writing there's more than enough here to leave most satisfied. There really aren't many movies about mind control in recent years so this plot was a breath of fresh air. GIVE IT A WATCH!